![]() Users often need to use auxiliary geometry, such as reference planes and points, within the CETOL model. Previous versions required the axes to be coaxial. This is the same functionality that has been available in the Creo and SOLIDWORKS versions of CETOL 6σ.Įxpanded Support for Common Datums-CETOL 6σ v11.3 now directly supports Common Datums referencing parallel but not necessarily coaxial axes of cylinders and drafted cylinders. Several workflows permit the user to validate the constraints before import. Improved Support for Model-Based DefinitionĪutomatically Create CETOL 6σ Joints from CATIA Assembly Constraint Definitions-CATIA users may opt to have CETOL 6σ “import” CATIA assembly constraints for the automatic definition of CETOL 6σ joints. The properties and results views are consistent with the Modler user interface.The window layout is improved and more flexible.The menus have been simplified and reorganized.The Analyzer user interface has been updated in many areas to improve overall usability and consistency with the modeler interface: ![]() This workflow enables an empty list of messages in the Advisor, avoiding concern by others during design reviews regarding the presence of the messages that don’t impact the analysis. Users may now opt to “ignore” such messages, placing them in a separate area of the Advisor and permitting the user to review other messages that may require modification. Large CETOL 6σ models often have several messages in the Advisor that don’t impact analysis. Maybe swapping out the crunchy options for a couple more acoustic models would have made it even more useful, but this remains an appealing six-string multi-tool and a genuine problem-solver for many gigging players.Sigmetrix has released its latest version of CETOL 6σ tolerance analysis software, version 11.3.0, is now available for immediate download.ĬETOL 6σ adds many improvements, including: Usability Improvements “The launch of the Acoustasonic Player Telecaster feels like a no-brainer move for Fender, spreading the potential appeal of what is virtually a whole new category of guitar. The feel of the bevelled arm rest and fingerboard edges says quality and comfort this is an inviting guitar and that Modern Deep-C neck will feel familiar to anyone who has played the electric Player series models.” A lovely dark rosewood fingerboard and bridge replaces the US version’s ebony, but that’s not anissue for us. “In terms of feel and build, we honestly can’t find a compromise between this Ensenada-made Player and the US Acoustasonics we’ve tried. MusicRadar: The onboard voice options might have been scaled down but the Acoustasonic Telecaster sticks the landing as a Player Series model, in what could be one of the guitars to make the hybrid build truly go mainstream.įender Player Series Acoustasonic Telecaster: The web says That, in sum, is the sort of thing the Acoustasonic format encourages. That said, it can be pressed into service of many different kinds of styles, perhaps some that are all your own. It is warmer, with a little more width than you’d expect from a Tele’s bridge pickup. Fender promises twang but this isn’t Pete Anderson levels of twang. Park yourself on position one for a more traditional electric guitar experience, but don’t necessarily expect a traditional Telecaster experience. ![]() In a sense, this is a sound that almost exists outside of the spectrum of acoustic/electric tones, and is sure to support pedalboard experimentation. ![]() ![]() The sound is just coming from the piezo and as you turn the blend control it adds drive. Here is where the true hybrid tones are, and as such, there are fewer references for what we are hearing. ![]()
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